Bryce Hudson’s use of hard edges, straight lines, geometric form, and a limited palette classifies his work as abstract. However, his use of color is symbolic, as each color represents different segments of the world’s population: black for African Americans; orange for Latinos; white for Caucasians; yellow for Asians. Therefore, the shape, position, and size of the colored forms become a comment on race, class, stereotypes, and identity in America and the world. The relationship among the colors is a revelation about domination, conflict, separation, and harmony among races and cultures.
Bryce Hudson: Select Paintings
Biracial #5 (Bloodline) oil on wood & mdf
2006-2007
60" x 28" x 2"
collection of Thomas Aguilera
Constrain 
Boundaries (diptych) acrylic on canvas
2004
60" x 80"
collection of Ladonna Nicolas & Larry Shapin
Equilibrium #1 
New American Minority acrylic on canvas
2001-2005
48" x 48 "
collection of Henry Schein INC, NY
Untitled acrylic on canvas
2005-2006
48" x 48 "
collection of Gill Holland & Augusta Brown
America Series #1 (diptych) 
Biracial #4 (triptych) acrylic on canvas
2003-2004
50" x 80"
collection of Henry Schein INC, NY
Biracial (triptych)
acrylic on canvas
2005
12" x 36" x 3"
collection of Freida and James Arth, NM
Biracial #1 
There Goes the Neighborhood acrylic on canvas
2001
48" x 48"
collection of Mr. and Mrs. James Millar, KY
obstacle/obstaculos (triptych) acrylic and inkjet print on canvas
2005
36" x 42"
collection of Ladonna Nicolas & Larry Shapin
Intensity Surrounding a Union acrylic on canvas
2003
36" x 36 "
collection of Ladonna Nicolas
Oceans Closer (diptych) acrylic on canvas
2001
36" x 42 "
collection of Bob & Blair Possenreide, NY
Stereotyped acrylic on canvas
2001
36" x 36 "
collection of Merrily Orsini & Fredrick Heath, KY
Equilibrium #4 
Equilibrium #5 acrylic on canvas
2006
44" x 44 "
collection of David McGuire & Shawn Hadley
Equilibrium #6 
